Monday, December 7, 2015

Fallen Trees

I love hiking in the winter. I love how things hidden by summer’s growth are revealed. Mosses and lichens shine in the winter sunlight hitting the forest floor. Bird’s nests are visible high in the trees. The life stories of trees are written in skeletal displays of twisting trunks and branches.
Death is on display also. The forest is full of fallen trees. I find them beautiful, their strong bodies feeding the soil and other life forms.





A few days ago I visited a special place in the forest near my home where I have found a consistent strong connection with Arthur. There have been some strong storms since the last time I was there in late September and some more trees came down. I liked standing for a few minutes with the newly-broken trees, honoring their lives and their deaths.


Arthur Wrote Songs For Me

Yesterday was my birthday. I was a little worried about getting through my first birthday without my beloved Arthur. One thing I did to help myself cope was put together some of my favorite photos of Arthur and I together, with a video of a song Arthur wrote for me. "Katie" was written after our first trip to Yosemite valley, a few months after we met in 1980.

This isn’t the only song Arthur wrote about me. Arthur played “Katie and the Mountains/Visions of Paradise” at our first wedding in 1983.



Saturday, December 5, 2015

Everything Is NOT Going To Be All Right

An acquaintance gave me a book when he learned that my husband had died, called Healing After Loss: Daily Meditations for Working through Grief. The author, Martha Hickman, is familiar with grief; her daughter died in her teens. Every day has a quote culled from a wide variety of sources and a brief commentary by Ms. Hickman.
I have found the book only mildly helpful, partly because of her Christian framework. Of most interest to me are the quotes, some of which have been quite meaningful.
For the first few months of my grief I read it every day, along with passages from Walt Whitman’s Leaves of Grass. Whitman’s poetry was a lifeline for me, day after day I found solace and peace in his words.
I quit reading Ms. Hickman’s book early this fall because it just wasn’t feeding me. But I’ve picked it back up just to go through the rest of the book looking for useful quotes.
Today I got to October 31, and the quote was: “All shall be well and all shall be well and all manner of thing shall be well.” [Julian Norwich] Ms. Hickman writes how someone told her, when her daughter died, “Everything’s going to be all right.” She thought that was crazy at the time, but then found herself using those same words when she comforted another woman who lost a child. Clearly she now thinks this sentiment has comfort-value.
I can’t imagine how horrible I’d have felt if someone had said that to me in the first days of my grief. I remember being somewhat appalled when people told me my grief would lessen over time. Even here, at ten months in, I find the idea offensive. I don’t think “Everything is going to be all right” is comforting at all. Everything isn’t all right, and without my lover there will always be something amiss. He’s gone and there’s a hole in my life. How can that be all right?

Maybe at some future date I will see that everything is all right, but I just don’t see how that is an appropriate thing to say to someone in the midst of grief. What means something to me now is ‘I know you’re hurting; this grief is a reflection of your love. Embrace the love and the grief. Let me embrace you and weep with you.’

Friday, December 4, 2015

The Importance of Contrast

I’m reading John O’Donoghue’s book on Celtic wisdom, Anam Cara. Yesterday I was struck by this line: “A friend of mine who loves lace often says that it is the holes in the lace that render it beautiful.”
In the photo to the left, the white lace pattern is clear against the black background, but when it crosses the other white fabric the pattern is hard to see.
My dear Arthur, a musician, often said it is the ‘holes’ in music—the silence between the notes—that make it beautiful.
Artists talk about ‘negative space,’ the importance of defining an object by juxtaposing it with not-that-object.
One of the first lessons a photographer learns is the importance of contrast—light and dark combine to make a great photograph because it is contrast that creates the illusion of dimension.
I think this principle of contrast is applicable to matters of the heart also. I thought I knew what compassion was before Arthur died, but my experience of grief has taught me how shallow that understanding was.
I have had a very blessed life, with few major difficulties or misfortunes. I had a long-term relationship with a man I loved and who loved me. Of course we had conflicts, but we felt we were soul-mates. My experience of life was shifted to the ‘positive’ side.
But then Arthur died, and I have been plunged into darkness. I know what it means to have a broken heart, to feel anguish, to ache with loneliness. And out of this brokenness I have discovered something wondrous: a deeper understanding of love and compassion.

Through the contrast given by loss I have a fuller appreciation of the love I had with Arthur. The pain caused by this gaping hole in my heart has opened my heart to other’s sorrows in a whole new way. I see now that my earlier compassion was mostly intellectual; now it’s become experiential. 
I am grateful for this change.

Thursday, December 3, 2015

Tears of Grief

Tears. I have cried an ocean of tears these last ten months. In my experience, tears of grief come in two different ways: there’s the wave of grief that convulses my entire body and the tears come flying out accompanied by cries of anguish, and then there are the quiet tears that stream down my cheeks with no other physical symptom present.
I mention my tears in my grief journal many times; here’s a sampling:
The amount of tears I have shed is truly astonishing, and it is quite cathartic. It’s interesting watching the natural process of the wave of grief wash over me. The wave hits, often out of nowhere, I wail and shed tears, the wave crests and moves on, and the tears dry on my cheeks.
Sometimes the tears start and I let them flow without making any noise, no sobbing, just sweet tears of grief overflowing my eyes and streaming down my cheeks, I don’t even wipe them away, I just let them dry there. It’s an exquisitely beautiful sensation, one I am learning to cherish. This often happens when I’m driving. 
I just looked at the front edge of the desk, where I sit as I type, and it’s spotted—those are my tears over the last weeks falling, falling. The spots are large, a half-inch in diameter. Tears are amazing; sometimes I wonder how there can be so much fluid in reserve to keep the tears rolling down my cheeks all through some of the worst moments of despair. 
This morning I went to a concert that is part of a local ‘Amadeus’ festival. A beautiful clarinet concerto moved me to tears. (Clarinet Concerto in A major, K622, Adagio) This is something I always loved about Arthur; he was easily moved to tears by a piece of music, or a poem, or a heartfelt expression of any kind. That wasn’t true for me, and Arthur always wondered how I could have a heart so closed that I couldn’t be moved by art. Now I understand. I like the feeling of tears inspired by beauty. 
I want to learn more about tears. I have never cried like I have in the last four months. The tears seem limitless, and so necessary, and so cleansing. In a meditations book a friend gave me, the author writes: “To release the pressure of grief feels almost like a phenomenon of physics—a matter of releasing internal pressure."
I love tears now. They are so beautiful, so remarkable, so healing. I don’t understand them, but I am grateful for them.
Just yesterday I read about a new book called The Topography of Tears, by Rose-Lynn Fisher, in Smithsonian Magazine. Ms Fisher likes to take photographs of things through microscopes, and one day got the idea to photograph different types of tears. The images are startling (the linked article includes images). Ms. Fisher was going through a time of change and loss, she said, and had a lot of raw material for the study. She also recruited other people’s tears for the photographs in the book.
What is startling is how different tears of grief are from other types (although the article cautions the reader against making any assumptions about the nature of tears based on the photos).
I learned from this article that there are three different types of tears: 1. Basal tears, which our eyes release continuously to keep the cornea lubricated, 2. Reflex tears, secreted in response to an irritant, like a cut onion, and 3. Psychic tears, triggered by emotions, from grief to joy. These three types of tears differ in their molecular composition, which accounts for their difference under the microscope. 
According to Wikipedia, tears produced during emotional crying have a chemical composition different from other types of tears. In particular, they contain the neurotransmitter leucine enkephalin, a natural painkiller that is released when the body is under stress.
But why do we cry emotional tears? I went online and read a variety of articles, and it seems fair to say that scientists don’t know the answer. It does seem to be one of the only behaviors that separates humans from animals; humans seem to be the only species that shed tears for emotional reasons. Evolutionary psychologists say crying probably conferred some benefit. The current hypothesis is that is a type of ‘social signal’ that alerts your group that you are in trouble. Other evidence shows that looking at photos of people with tears in their eyes evokes empathy, and that exposure to the chemicals in emotional tears decreases aggression. In other words, crying is an evolved strategy to obtain help from others in our group.
This all sounds very reasonable, and yet it doesn’t really satisfy. For one thing, I do most of my crying alone. I’m not trying to communicate anything to other people. Tears feel like they are an organic response to great suffering. As I wrote in one of my journal entries, tears feel necessary.
Suffering this great requires an audible, physical expression. Just feeling it is not enough. Grief requires you to act it out in the physical world. I understand now why people tear their hair and rend their clothes when they are grieving. Actions like these are the imperative of grief.
Lynn Fisher, the photographer, is eloquent on the nature of tears:
Tears are the medium of our most primal language in moments as unrelenting as death, as basic as hunger and as complex as a rite of passage. It’s as though each one of our tears carries a microcosm of the collective human experience, like one drop of an ocean.

Further reading:

Why Humans Like to Cry, Michael Trimble, 2012

Wednesday, December 2, 2015

Bounteous Beauty

It has rained here for a few days straight. When I went out to get in my car this afternoon a perfect yellow maple leaf was plastered flat to the driver’s door, with the stem sticking straight out. I admired its beauty then, and again at each of my six stops as it accompanied me on my entire journey.
As I’ve moved through my grief these last (almost) ten months since my beloved Arthur died, I have been supported, perhaps most of all, by a dawning realization that the beauty of the world points to the existence of Something beyond the material.
This is why hiking is my #1 solace. Many’s the time I have sat on a rock this year, gazing at a patch of woods, my eyes overflowing with tears of joy at the beauty of the world. And not just the beauty, the ‘bounteous beauty.’
One day at my Qigong class I was looking at a mandala on the wall and again these tears flowed. I wrote in my journal that day: the greatest sign to me that there is a deeper reality underlying what we see is the bounteous beauty of life. Why is there sacred geometry with its matchless perfection and awe-inspiring beauty? Why do the flowers in the ditch by the side of the road overflow in abundance and splendor? There’s not just beauty, there is bounteous beauty, beauty overflowing. Beauty everywhere from the tiniest microscopic creature to the largest galaxy. How can there not be Something that lies beyond all of this? 

Beauty is everywhere. Beauty is in all things. I am grateful for the beauty.

Note about this blog

I haven't blogged much this year. My beloved husband Arthur died in February (see the tribute I wrote to him) and many of the subjects that used to interest me, like politics, seem less vital now. I'm going to try changing the focus of this blog and see what happens. i have been journaling intensively since Arthur died, and I would like to start sharing some of the things I write about in what I call my 'grief journal.'